For this collection, I am experimenting with translating my visual language as a painter into the medium of glass. The work explores three-dimensional forms through geometric fields of color illuminated by sunlight. I am drawing from my previous body of work, Fragmentation, as well as my visual research into the movement of light through transparent gemstones.

I collaborated with a scientist at AIG to visualize patterns of reflection and refraction using laser technologies. These pieces expand upon the history of stained glass by incorporating the copper foil method and wire to create dynamic sculptural surfaces. The works are not confined to the scale or function of a window; they hang from ceilings, can be mounted on walls, or suspended in front of a light source.